Hi
I've had several C3's under my care from that period and really cant say
any of them have developed any kind of a chronic string breakage
problem. All of them that have been under heavy use have had hammer
changes done, a few of them are on there 3rd set of hammers. Old
strings on a high tension scale will be subject to breakage to be
sure... but new strings along with an appropriate dressing of the capo
should prevent any recurrence all else being equal.
I have had excellent results with Yamaha grands using Wurzen II felt
from Renner Germany. I suppose Ronsens in the states may be
comparable... but I get the feeling from talk on the list they are a bit
softer. Renner Blues may also be a good choice. I also find that using
the Steinway diamond shape works really quite well indeed, tho I have
been taught both by the Academy and a couple voicing masters that
Yamahas require a rounder shape. My own experience tells me one can get
greater dynamic range with the diamond shape, tho perhaps one has to opt
for a slightly more rounded off fff sound. Personally I like that
especially on Yamahas because they easily sound crashy and noisy to my
ears when the hammers are too hard. The diamond shape seems to allow
for a sound that swells nicely just after the attack. And if kept just
under the icy/glassy sound at fff this combines to minimize string
noise, phasing and other such extraneous noises.
Cheers
RicB
The piano in question, a Yamaha C3 built in the first half of 1977 has
developed a string breaking problem. It is in a public high school
it has
very light rust spots on some strings, mostly high treble. I
rebushed keys,
reshaped hammers and regulated it a year ago, probably the first
regulation
it had had since new. I have consulted with 3 different techs at
Yamaha, all
independently, all unaware of my having talked with the others. I
got the
same answer, metal fatigue of the strings due to the high tension
scale. 2
added that the problem may be exacerbated between the bench and the
keyboard. Not only do I agree with the last statement but so does
she, the
vocal director, admits that she has a very heavy touch. However I
have also
had strings break when I was tuning, not while I was tuning them but
after I
had moved on and was a couple of strings away, no longer even on the
unison.
The director has had bass strings break while playing, 2 last year,
one so
far this year.
My initial inclination was to look into rescaling it but after
talking with
a friend who has more experience with re-scaling than I do, perhaps that
wouldn't be the best avenue. It was his feeling that perhaps the 30YO
hammers may be the culprit. restringing may solve the breaking
problem in
the immediate future because it's new wire but with the old hammers the
breakage will return before long.
The piano, as I understand it, was designed primarily as a smaller stage
piano, a concert instrument if you will. The school uses it 4 hours
a day
minimum in a classroom setting, very hard use. As it was put to me
what they
need with the re-string is a 99% classroom instrument and a 1% concert
instrument.
I have the great good fortune of the Superintendent of Schools for this
district having been a former elementary music teacher and he worked
his way
through college doing "piece" work for a piano tech. Shop work, key
bushings, flange bushings, repinning, etc. So he not only
appreciates a fine
working piano but knows all of the work and time that goes into
making it
that way.
I am looking for advice from one and all. Anyone with any experience
with
this make and model or a similar one would be great but in lieu of
that give
me opinions.
Thanks,
Mike
--
Learn from yesterday, live for today, hope for tomorrow. The
important thing
is to not stop questioning.-- Albert Einstein
This PTG archive page provided courtesy of Moy Piano Service, LLC