Hi Mark. I dont like using hammer lacquer myself... but if you have to then you do. Depending on the sound you are after it might be wise to try a bit of something that is to some degree reversable first. Do a quick reshaping with some relatively fine grade paper and iron the hammers a bit, then add a drop or two of collodion (a hammer hardener very common in europe) to the crown... accent the right side of the hammer so as to get more shift pedal affect. If you like what you get.. then you can go with a more penetrating hardener approach that will last longer... and if you dont... well a tiny bit of reshaping and needling will remove the effect of the collodion. It goes without sayting that what you like soundwise and what others like are going to be different... sometimes widely so. If you think the piano needs more beef and you have the owner / users behind you... then beef it up (taking smallish steps). Personally, I find that piano voicing tastes are so wide that its amazing. Everything from what I would find it difficult to describe as pure cotton to solid ice cubes. Despite that I tend for as much power as I can get as long as I dont get any glassyness or ice except on fff + play. This allows me to easily voice down if needed to meet someones quieter tastes, and up to meet those who like em hard and nasty. Cheers RicB I have been asked to voice up a set of hammers on a new Charles Walter 175 grand. They look like Renner hammers, but are quite mellow sounding. Does anybody know if these are Wurzen felt? If I lacquer, should I use the same techniques as on Steinway hammers, or is there a better procedure for this type of hammer? The bass in particular needs a lot more oompf. - Mark Dierauf
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