Hi Jim Your interest here . Is it based on setting up new boards,finding the soundboard deflection sweet spot etc? If so e-mail privately. On another note concerning the wooden gauges. I recently had a 1966 BB Mason & Hamilin come in for an overhaul. The piano sounded awesome even in it's ragged condition with funky parts & Original everything. WHen I hear these things I ask why does it sound this way. I crawled underneath to check residual crown with a crown string & the board was about flat....evey where. The board was .400 thick...very thick. I used the wooden gauges to check bearing & it was gi--normous. Never seen anything like it. I thought there is no way this piano can have 3 plus degrees of bearing everywhere & still have sustain and power like this & with out disintegrating under the load. Who hoo let's hear for centripetal resonators ( spiders). As is always the case, when the strings com off the whole story is seen. The belly came up a mile as checked with a crown string. over 3/8 this inch. in the biggest part of the belly & 3 or more mm in the trebles. These are the situations that cause my state that many thing work even thought they shoudn't. The dilema is shall I change the bearing? With no compression ridges or cracks & only exposed to the beautiful CA climate for 40 yrs & with a church building around it to buffer any humidity effects, this pianos belly is pristine. SO what would you all do? Hmm Leave it set up this way or change it. The plate sits on bolts as it's supports so plate height is easy to change. Please weigh in & I'll tell you what I think. Dale Dale, Rereading your post, I realized you are looking for specifics on the secondary parts needed to use this angle gauge in the piano. I hesitated before posting the Wixey idea because I haven't had the time the work out the jig(s), but figured the idea was worth floating in its present uncooked state< hence no visuals. Feet should not be any more complicated than the Lowell feet, but I will post what I come up with when I have time to fuss with the idea. The other thing is that the unit is sensitive to movement, ie movement of the strings, and registers that movement. But I don't think that should be an issue, because the bubble gauges also are affected by movement/deflection. There probably will be a learning curve on taking readings, especially on the speaking side. So anyway, this is an official not quite baked idea...but I don't think its half-bake, so-to-say. I'd be interested in followups of anyone foolong around with the idea. Jim I ************************************** See what's free at http://www.aol.com. -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/20070509/af0d98b4/attachment.html
This PTG archive page provided courtesy of Moy Piano Service, LLC