John, this is an example of how a machine can do a great job for you. Here's my suggestions: -Straight FAC, or whatever visual method of your choice. Don't make any big changes to the original settings you get from the machine. -double-check all unisons. There's 2 places where you need to be extremely fussy. This is one of them. The other is: -The Bass/Tenor Break area of the 'lesser' piano'..in your case, the Weber(?!!?!). Use the machine to find out where the D is sitting in this area..from C#2 to G2. If you're able, work this area to where the Weber and the D are close. There will be a little funkiness..don't worry too much about it not being in tune with itself here, or slightly out of tune..there's enough funk on that Weber, I'm sure, to compromise with its greater brethren for this application. There's not going to be a huge difference between the Weber being 'in tune' and the Weber 'in tune with the Steinway'. John, you said: > then tune with open unisons to get the most > expanded tuning as will fit the piano. I disagree because you're dealing with apples and oranges..not so much with the size difference, but with the scale/tension difference between the 2. I realize that you're trying to compromise for this difference with the style you're choosing. I have had bad luck trying to figure out "which way to go" when dealing with 2 very different pianos. It's been my experience to get each piano in tune with itself, and then deal with the differences from there..which, in most cases, is the Bass/Tenor Break area of the lesser piano. You'll be fine. -Phil Bondi(Fl)
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