I "believe" that Ed Foote does a LOT of HT's with jazz. Right, Ed? Avery At 07:28 AM 3/25/2007, you wrote: >Anne, > >I think I can imagine what Madison is like - perhaps a bit like Ann >Arbor? Also, I'm not surprised by the quirky aesthetic you mention. >That seems to be what the show is about, and one of it's charms. >Off-the-cuff, out of left field... > >The duo (sorry, I mistakenly said trio before) has that sort of >lounge-y sound, like you've wandered into a club where the piano >doesn't get tuned very often. It's a pretty old school style of >playing, and yes I agree, a bit of a spikey style (good word for >it). I can see why Feldman and his producers might like it. I mean, >they might want to seem sort of downhome, friendly and approachable >(given the format of the show), but in a hip way. And I would >imagine that classic piano jazz format by now has a basically >unthreatening sound to most people, but by putting the piano in >meantone, it adds a bit of edge. It does make sense that would be a >conscious choice, in an environment like that. > >Best regards, > >Allen Wright, RPT >London, UK > > > > > >On 25 Mar 2007, at 12:49, Anne Acker wrote: > >> >> >>If you know Madison, Wisconsin, you would understand. There it is >>not an imposition, it is a request. The pianists love it. This >>used to be my scene years ago, and I remember how much they loved >>it when they first heard and had the tuning done for them. >> >>I would also blame the sound quality partly on the room miking and >>overall acoustic, since Feldman's voice isn't too well covered >>either. I suspect they like the feel of it. One of my old friends >>is one of his facts researchers, and the aesthetic all around is >>quirky by design. >> >>Besides, I hate the way that pianist plays, and come to think of >>it THAT is why the piano is out of tune all the time. He has a >>particularly "spikey finger" style of playing. . I always have to >>turn the show off during the music sections, home town or no. >> >>AA >> >> >> >> >> >> >> >> >>Wow, the mind boggles. That's so interesting; the dealer imposes >>meantone temperament (on a jazz trio, no less - with all the >>chromatic haarmonic stuff going on) and nobody thinks that's odd, or >>questions it?! I wonder how the pianist feels? (Who knows, maybe he's >>an adventurous sort of jazzer, and thinks it's bizarre and >>interesting - he does sound like an easygoing sort, when Feldman >>engages him in conversation). I'll definitely have to listen to that >>show again : ) >> >>Now I'm really wondering whether it was the tuning or the temperament >>that I heard as being "off" somehow. >> >>Cheers, >> >>Allen >>On 25 Mar 2007, at 02:44, William R. Monroe wrote: >> >>>The dealer likes it. No other reason I know of. >>> >>>William R. Monroe > > > > > > > -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/20070325/18b0a877/attachment.html
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