I think there are a lot of folks out there who read and understood completely. And I dont think there is any quarrel about the factual material presented. There is some significant disagreement about some of the conclusions you make, and the degree of seriousness of some of the technical problems you describe. I say this without taking any standpoint on the general issue at all, which of course I could and do in other contexts. But its enough here to observe that significant numbers of major builders and designers in the world, who are versed in the various methods of soundboard building do not agree with all your conclusions. And, I think that this basic discussion in one form or another has been going on for about as long as folks have been building soundboards. Perhaps not in exactly the angle you tackle the subject matter... but just so. Cheers RicB Some years ago in a couple of PTJ articles I did my best to explain the technical problems associated with the compression crowning technique. Either very few folks read them, folks read them but my explanations and writing style were confusing, folks disagreed with what I wrote (though the facts are easily verifiable in the pertinent technical literature) or, perhaps, we just forget. Perhaps it's time for someone else to take a stab at it. Del Delwin D Fandrich Piano Design & Manufacturing Consultant 620 South Tower Avenue Centralia, Washington 98531 USA Phone 360.736-7563 <mailto:fandrich at pianobuilders.com>
This PTG archive page provided courtesy of Moy Piano Service, LLC