List, In searching the archives and reading whatever info is available in past journals etc, reasonable consensus is that the string takeoff angle from the pin centerline to the counterbearing bar should be around 90 deg. A couple of questions regarding this: 1-in looking at a number of plates, particularly ones with the "ski slope/very minor counterbearing bar/lots of felt contact ", the pin angle in relation to the webbing would have to be a negative angle to achieve 90 deg string takeoff angle from the pin. That is negative, ie actually angled towards the belly, often by 4-5 deg, assuming coil height at 1/8 " from plate. Is 90degrees takeoff ,90 degrees, irrespective of the orientation to the webbing (or actauly the rim top which indexes many rebuilders drilling jig)? 2-the difference in takeoff angle between the front pin of a unison and the back pin of the same unison results in a very different takeoff angle, maybe 2-4 degrees. 90 degrees can't actually be 90 degrees throughout, unless you're nuts. 3-the 90 degrees(or so) is not in relation to the stretcher, but in relation to location of the agraffe, which again changes from note to note. Does anybody actually customize the direction of the angle from note to note? 4-Regarding the "ski slope/very minor counterbearing bar/lots of felt condition"...rendering the string over all this felt creates problems because of the tendency of the wool to hold moisture, and rust the string/felt contact. ??Why is wool felt exclusively used in this place? Besides the obvious reason which is "because that's the way its always been done". Some rebuilders do infact use acrylic felt here, but keep it quiet in the fear that they might be struck by lightening if anybody knew their dirty secret. Any thoughts? Jim I
This PTG archive page provided courtesy of Moy Piano Service, LLC