> What I am wondering is if shortening the strike point is sacrificing some > of the lower spectrum in the killer octave notes and lending emphasis to the > higher partials, thus making it seem as though the piano has more power to the > pianist, (or technician). Has anybody compared a "bent-line" piano with a > straight-line piano in the venue, from farther out from the stage? > > Regards, > > Ed Foote RPT That's what makes this profession interesting. A given piano will sound different with a change of venue, and none of them end up in a place that sounds like our shop. Ron N
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