It felt a little odd, "shallow" or "too easy," for about 20 seconds, then it felt like the piano could read my mind and suggest more nuance than I would normally imagine on my own. One of those pianos that enables me to play much better than I can really play. I'm not the only person to describe it like this. He's got something there. Ed Sutton >, >I think Ron Overs dealt with both "magic lines", and >those of you who had a chance to play his piano in >Rochester could possibly tell the rest of us how the >action felt in comparison to a standard geometry. > >Vladan > >==============================================
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