> For one thing they changed the plain steel at the end of the tenor for > 3(?) notes of bi-chord. You know, the kind thing any of us would have > done if they'd asked us to fix the GA-1. Fix it, or just get it below the seventh level threshold of hideous? >I've only seen one on a > dealer's floor briefly (back in NOV) and haven't tuned it (nor was the > tuning on that piano fresh enough to allow me to judge the inharmonicity > at that end of the bridge). But my first thought was the Yamaha was > testing their market again, seeing if those people who go for a 4-1/2' > polyester cutie could tell the difference between a good string scale > and a bad one. I don't think good and bad applies here, but I do agree that they seem to be calibrating for pain tolerance. Grading on the curve presents not only a moving target, but a negotiable one if they're paying attention - and we know they're paying attention. The question is, to what? > You'd be doing us a public service, Alan, if you measured and posted the > string scale in that bottom tenor octave. > > Bill Ballard RPT I'll second that, and the high bass, or the entire scale if you have an hour or so to kill. Ron N
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