(careful, it is about temperaments)

Ric Brekne ricbrek@broadpark.no
Wed, 11 Jan 2006 22:25:19 +0100


A very good point to be sure.  Touché

Tho perhaps the 20th and 21st century sees just as maniachél 
anstraphsophy for ET as some would have it modern piano manufacturers 
have for sticking to the Stein-way of doing things ?

Ya never knows abouts peoples.  Still... its rather fantastic to think 
modern composers would simply reject HT because of monetary concerns.  
Its not that big a deal really.

Cheers
RicB

----------
To suggest that the leading interpreters of classical music
of the last century take such pains for authenticity while rejecting the, we
assume, prevailing tuning style of the times forces you to the conclusion
that they either consciously chose to reject it because it wasn't in their
view relevant to the music and authentic interpretation, or that they
are/were ignorant, biased or, as Bremmer suggests, did it for some strange
business reason.  Considering the extent to which they research these issues
and their apparent commitment to the original intent of the composers leads
me to the conclusion that the tuning style was rejected consciously and that
it was not relevant, in their view, to an authentic and musical
interpretation.

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