Hi Jason and others.. And given the fact that several such listings of key colour were circulating down through the years, and given also the passion musicians have for intellectualizing about there work (every bit the equal of pianotechnicians in every regard) you simply gotta figure these guys were definantly wrapped up in choosing keys to help them express what they were trying to <<say>> through their music. I have a real hard time imagining anything else personally... and I dont really understand the reasoning behind those who attempt to prove othewise. There isnt really any serious supporting evidence, and the move towards ET pianoes had natural enough explainations that are clearly independant. Been a while since all this was run around, always makes for interesting reading. Nice stuff Ed ! Cheers RicB ----------------------- A great discussion. Let me contribute this, the best single compilation of "character of the keys" descriptions... from Christian Schubart's Ideen zu einer Aesthetik der Tonkunst (1806) C Major Completely Pure. Its character is: innocence, simplicity, naïvety, children's talk. C Minor Declaration of love and at the same time the lament of unhappy love. All languishing, longing, sighing of the love-sick soul lies in this key. Db Major A leering key, degenerating into grief and rapture. It cannot laugh, but it can smile; it cannot howl, but it can at least grimace its crying.--Consequently only unusual characters and feelings can be brought out in this key. C# Minor Penitential lamentation, intimate conversation with God, the friend and help-meet of life; sighs of disappointed friendship and love lie in its radius. D Major The key of triumph, of Hallejuahs, of war-cries, of victory-rejoicing. Thus, the inviting symphonies, the marches, holiday songs and heaven-rejoicing choruses are set in this key. D Minor Melancholy womanliness, the spleen and humours brood. Eb Major The key of love, of devotion, of intimate conversation with God. D# Minor Feelings of the anxiety of the soul's deepest distress, of brooding despair, of blackest depresssion, of the most gloomy condition of the soul. Every fear, every hesitation of the shuddering heart, breathes out of horrible D# minor. If ghosts could speak, their speech would approximate this key. E Major Noisy shouts of joy, laughing pleasure and not yet complete, full delight lies in E Major. E minor Naïve, womanly innocent declaration of love, lament without grumbling; sighs accompanied by few tears; this key speaks of the imminent hope of resolving in the pure happiness of C major. F Major Complaisance & Calm. F Minor Deep depression, funereal lament, groans of misery and longing for the grave. F# Major Triumph over difficulty, free sigh of relief utered when hurdles are surmounted; echo of a soul which has fiercely struggled and finally conquered lies in all uses of this key. F# Minor A gloomy key: it tugs at passion as a dog biting a dress. Resentment and discontent are its language. G Major Everything rustic, idyllic and lyrical, every calm and satisfied passion, every tender gratitude for true friendship and faithful love,--in a word every gentle and peaceful emotion of the heart is correctly expressed by this key. G Minor Discontent, uneasiness, worry about a failed scheme; bad-tempered gnashing of teeth; in a word: resentment and dislike. Ab Major Key of the grave. Death, grave, putrefaction, judgment, eternity lie in its radius. Ab Minor Grumbler, heart squeezed until it suffocates; wailing lament, difficult struggle; in a word, the color of this key is everything struggling with difficulty. A Major This key includes declarations of innocent love, satisfaction with one's state of affairs; hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God. A minor Pious womanliness and tenderness of character. Bb Major Cheerful love, clear conscience, hope aspiration for a better world. Bb minor A quaint creature, often dressed in the garment of night. It is somewhat surly and very seldom takes on a pleasant countenance. Mocking God and the world; discontented with itself and with everything; preparation for suicide sounds in this key. B Major Strongly coloured, announcing wild passions, composed from the most glaring coulors. Anger, rage, jealousy, fury, despair and every burden of the heart lies in its sphere. B Minor This is as it were the key of patience, of calm awaiting ones's fate and of submission to divine dispensation. Translated by Rita Steblin in A History of Key Characteristics in the 18th and Early 19th Centuries. UMI Research Press (1983)
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