Cracking the unisons

[pianotune05@comcast.net]

---------------------- multipart/alternative attachment
c# c sharp, 
Bb b flat 
I've seen this abbreviation , BBW somewhere.
Marshall
-------------- Original message -------------- 
From: "pianolover 88" <pianolover88@hotmail.com> 

> <> IMHO: In my humble opinion 
> YMMV: Your Mileage May Vary 
> DAMHIK: Don't ask me how I know 
> FWIW: for what its worth 
> BTW: By the way>> 
> 
> 
> JWTWDSAAQUTSA!: Just write the whole damn sentence and quit using these 
> stupid Abbreviations already! 
> 
> Terry Peterson 
> 
> 
> 
> ----Original Message Follows---- 
> From: "Dean May" 
> Reply-To: deanmay@pianorebuilders.com, Pianotech 
> To: "'Pianotech'" 
> Subject: RE: Cracking the unisons 
> Date: Fri, 6 Jan 2006 10:34:15 -0500 
> 
> MHO: my humble opinion 
> IMHO: In my humble opinion 
> YMMV: Your Mileage May Vary 
> DAMHIK: Don't ask me how I know 
> FWIW: for what its worth 
> BTW: By the way 
> Ssssnnnn: Susan wanting to take a nap ;-) 
> 
> There are others. 
> 
> Dean 
> Dean May cell 812.239.3359 
> PianoRebuilders.com 812.235.5272 
> Terre Haute IN 47802 
> 
> -----Original Message----- 
> From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On 
> Behalf Of pianotune05@comcast.net 
> Sent: Friday, January 06, 2006 9:40 AM 
> To: Pianotech 
> Subject: Re: Cracking the unisons 
> 
> Ok, so what exactly are we saying in this post Susan? on and on and 
> on...:) 
> Marshall 
> ps what is MHO, or is it HMO or planned provider? :) 
> 
> -------------- Original message -------------- 
> From: Susan Kline 
> 
> > At 10:13 PM 1/5/2006 -0800, you wrote: 
> > >Sometimes I don't hear the 1 
> > >cent error, especially in upper octaves. 
> > 
> > Me either, and there, I think, lies an opportunity. 
> > 
> > Consider the "errors" which a tuning must accommodate, 
> > both in the tempering of intervals and in the inharmonicity 
> > and difficult timbre unevenness inherent in all pianos, 
> > especially those which are -- less than perfect. 
> > 
> > But it's all less than perfect. 
> > 
> > We can nudge everything, because there's a margin of 
> > error in our hearing, and in that of even our keen-eared 
> > customers. We can rob a little here, and put it over 
> > there, and (for example) get rid of that one nasty 
> > fourth ! where there's that break between the wound and 
> > unwound tenor. Never mind that an octave may compress 
> > a little, and some fast-beating intervals wouldn't 
> > measure up quite according to Hoyle. 
> > 
> > Be glad that we don't have to pay attention only to 
> > what an electronic machine tells us. Instead, we get 
> > to go to the source, the sound itself, and impose our 
> > value judgments onto it. Why do people who tune with 
> > an ETD do the unisons without it? Because that fudge 
> > factor works in our favor, giving us control of tone 
> > quality in a way which "exact" frequency control 
> > doesn't. 
> > 
> > Truth be told, I think that a lot of aural tuning, 
> > especially by people like Virgil, incorporates "errors" 
> > a lot bigger (MUCH bigger) than one cent, in the 
> > service of the whole musical sound. 
> > 
> > Just MHO. 
> > 
> > ssssssssnnn 
> > 
> > ___! ____________________________________________ 
> > pianotech list info: https://www.moypiano.com/resources/#archives 
> 
> 
> _______________________________________________ 
> pianotech list info: https://www.moypiano.com/resources/#archives 
---------------------- multipart/alternative attachment
An HTML attachment was scrubbed...
URL: https://www.moypiano.com/ptg/pianotech.php/attachments/13/8f/67/de/attachment.htm

---------------------- multipart/alternative attachment--