This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment HI John, I need to practice more with felting I guess. Using one mute and doing = the unison thing worked for me but I was tired of jumping all over the = piano, not literaly, :) My headache is with the trebble in verticals as = well. I tune the right string as I pull the cloth out, then I go back = and do the left string without anything muted since the right and center = are already done. I treid a papis mute, but it won't stay put. In fact, = I need to take the knee board off my wife's piano to retreive it. = Hammers always get in the way. Grands are a little harder for me to = mute because I have to lean over the thing and get a back cramp, but I = like the idea of playing a note to feel the vibration. I don't bother = with the bichord or notes with strip mutes. I just use the left string = for tuning and the right for the unison. Once in a while a unison will = go out on me, but I can correct it pretty quickly. I have a tuning on a = spinit tomorrow. I hope I can speed this up and get in and out and do a = qulaity job of course. Marshall ----- Original Message -----=20 From: John Formsma=20 To: Pianotech List=20 Sent: Sunday, February 12, 2006 6:27 PM Subject: Re: Upgrading..... Don, I've found it to be the opposite. Strip muting is faster for me, but = not so much so in grands. It only takes a minute or two to strip mute a = piano, and that includes getting them from the case. One of the inherent = problems with a strip is that the muting is sometimes less effective, = although one can learn to listen around that. I find strip muting particularly faster in verticals where getting the = mute(s) behind the treble damper felts takes a lot of time. The mutes = are forever in the way of the hammer in that section unless you get them = below the top of the dampers - out of the hammer's way. The Papps mute = works all right, but I generally use a strip mute in verticals. If using the strip, you can tune unisons as you go, just like with = rubber mutes. I do it all the time. I use action cloth strips. Perhaps a different type felt is more = difficult. But I don't see how it would make a 20-40 minute difference = to simply put strips of felt in between strings. Or did I misunderstand = you? John Formsma Don wrote:=20 Hi Marshall, Strip muting the entire piano takes longer than using just two mutes outside of the temperament area. Even faster than two mutes is a single "split mute" or "double mute". This will also contribute to stability as unisons are done "as you go". The total saving in time per tuning = amounts to between 20 and 40 minutes. If one must strip mute--use two strips and alternate between them. The problem with the gang mute is getting *all* those fingers in the = right places--far more problematic than a temperament strip. At 12:36 PM 2/12/2006 -0500, you wrote: HI DOn, Are those little gang mutes a time waster? I'm trying to think of ways = to=20 speed up. One that works well for me is this. When I"m finished with = the=20 center strings, I start at the trebble and pull the temp strip out and = do=20 the right stinrg. Then I either go back up or start at the end and do = the=20 left string. I notice after I tune a piano the trebble sounds brilliant = with a nice ring to it. I think that's pretty cool actually starting = out. Marshall =20 Regards, Don Rose, B.Mus., A.M.U.S., A.MUS., R.P.T. Non calor sed umor est qui nobis incommodat mailto:pianotuna@yahoo.com http://us.geocities.com/drpt1948/ 3004 Grant Rd. REGINA, SK, S4S 5G7 306-539-0716 or 1-888-29t-uner _______________________________________________ Pianotech list info: https://www.moypiano.com/resources/#archives ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/9f/9d/c7/5e/attachment.htm ---------------------- multipart/alternative attachment--
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