Alan, At 01:50 PM 4/15/2006, you wrote: >I've been thinking (that's the dangerous part) and doing some experiments. > >When setting ET temperament on virtually any >pianobig and nicely scaled or Crappiola & >Sonsthe 3rd partial of D3 ends up within about >1/3 Hz of 440.00 and almost always on the sharp >side, like 440.26 Hz (440.04 on an M&H A). > >At this pitch, that turns out to be >significantly less than 1/2 bps on better pianos >(almost pure) and the most I found was a little >over 2 bps on a Lester She-Who-Must-Not-Be-Named >and that one almost certainly due to compromises crossing the break. > >Does this not, or should it not, have big-time >implications for setting or testing the >temperament, as in a durn-near P12 at 3:1? > >Fur eggs ample: > >What if you tuned D3 to A4 at an exact or the >teeniest bit flat 3:1 twelfth (stick a mute >alongside A4 keystick to hold it down, play and tune >D4 beatless at A440), then tuned your D4 to A4 >as a 5th, tune A3 to A4 and compare to the D's >and make sure you have two dandy octaves, 2 >identical 5ths, etc? Would that not nail down >four solid notes closely referenced to your >foundation A4, including the stretch across the break on smaller pianos? It's hard to know since you didn't include the post you're responding to! :-) Avery > >If this is goofy, be gentle. > >Alan Barnard >Salem, Missouri >
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