This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment As a pain in the ass as it is to come back, I've quit using universals = and always mail the string to Mapes for duplicating. It does cost the= customer more but, imho, it matches the other string much better. D.I... Original message From: Piannaman@aol.com To: pianotech@ptg.org Received: 10/2/2005 6:39:31 PM Subject: some days you get what you ask for List, Friday was certainly an interesting day on the job. First piano was an= old Erhard upright, a nice old box made in 1919, pretty good shape. I= t had a broken high treble string on it, which I'd been aware of, and I= replaced it no problem. Next piano, Acrosonic, circa 1950s. Pitch raise, twang, G#2 wound bico= rd snapped. A perfect candidate for one of the universal bass strings a= lug around. As usual, spinning off excess copper was the most time co= nsuming part of this job. Again, no real problem. I was thinking about how much I've improved in various repairs, thanks = to many tips gleaned from this list and elsewhere in the PTG. This typ= e of repair was once something I dreaded, now it's just something I do = in the line of duty. "But," I told myself, "don't get cocky. How long= 's it been since you've replaced a long wire in an understrung section = of a piano?" It had been awhile. Which brings me to the next piano: Steinway, a regular client, a nemes= is piano that always finds a way to lengthen the appointment beyond an = acceptable length. A 1915 or so M re-whatevered badly a couple of deca= des ago. I was hoping for the best, but it was the usual 8-10 cent lat= e-summer pitch raise. No problem, at least until I got to A3. Twang. = The A#3-A3 wire snapped. Went to the car, got stringing stuff includi= ng tube to get string onto hitch pin. In the failing light of the day,= I got the job done, but time would have been saved had I brought in my= shop light so I could see better to route the wire through the bridge = pins. The upside: 3 strings on the day, no bloody finger tips. The weirdness: Haven't had a string break in a few months. Why did th= ey all gang up on me on one day??? Tip #1: putting some tension on the wire makes it MUCH easier to get t= he string placed properly around the bridge pins in the understrung are= as. Tip #2: Lighting is a good thing when doing this sort of job! Thanks for reading, Dave Stahl ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/68/08/31/b2/attachment.htm ---------------------- multipart/alternative attachment--
This PTG archive page provided courtesy of Moy Piano Service, LLC