This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Hi Guy. Agreed with the control thing. Foreseen that it goes in both = directions : to make a real good voicing job, you must be able to let = the piano take control on you, and you must be able to follow her to = where she wants to bring you, and be willing to hear the things she = could tell you, even if it is not what you expected. Forcing a piano to = sound like you wanted instead of helping her sound like she is meant to = can be disappointing, isn't it ? Accepting the personality of the = instrument is very important in my eyes (and ears). And so is giving up = your own expectations to follow and match hers. Best regards. St=E9phane Collin. Exactly. That's why I always "simplify", when trying to educate the = customer. I've found that most players want control. Period. Brightness, = darkness, charm, etc., are just traits. When selling a service, be it = regulating or voicing or whatever, I usually come back to that one word. = Control. So, voicing would be the service of providing the player with = control of the instrument's tone. JMO Guy Nichols, RPT Ft. Stinkin' Desert, NM ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/5f/50/b0/b2/attachment.htm ---------------------- multipart/alternative attachment--
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