newdaymoore@bellsouth.net wrote: > <<. . . . . It was around the time of WW2 that the 440 became > universally accepted. Before that 435 was most common but there was > other pitches that were accepted as well. > www.uk-piano.org/history/pitch.html > <http://www.uk-piano.org/history/pitch.html> Check out this website.>> On my Deagan tuning fork (440 Hz) is stamped "Adopted by U.S. Gov't. 1920" and "Official pitch of A.F. of M. 1917 (American Federation of Musicians). If you listen to very old recordings, especially of non-"classical" stuff, such as folk, blues, and jazz, pitch can be all over the place. But in the recording and orchestral world, I think A 440 was adopted in major studios considerably earlier than World War II. Most of the old records of big bands I have that were recorded in the 1930's (and later) are at A 440, or pretty close. Of course, they could speed up or slow down these recordings to put them at some desired pitch (or tempo) -- I'm not sure how much they tamper with stuff. A 440 may not have been universal then, but it seems to have been fairly widely accepted. And even today, is it 100% universal when we have some orchestras who insist on A 442? --David Nereson, RPT
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