Hi, Marcel, At 12:18 PM 11/25/2005, you wrote: >I'm noticing some voicing changes with humidity changes. Have any of you >noticed the same. I suspect the hammers get harder when dry. There is a >different quality to the attack compared with the same in damper summer >weather. > >I'd like to find out how these factors affect others on the list. Yes, very definitely. It seems to depend on any number of factors...type of hammer (hard/soft pressed), how (if at all) the hammer has been "treated", etc. I've had some interesting experiences with instruments used in less-than-perfect conditions with things as off the wall as simply "drying" the hammers out a bit with a hair dryer. In one such case, the instrument was an S&S B which lived in a jazz club which was located under a pier...the ocean literally just steps from the outer wall and what might be called primitive HVAC. Anyway, among the other problems the instrument had, the voicing changed radically and rapidly, sometimes in the course of half a set. One rainy day, the instrument was particularly mushy sounding and there was no time to do anything "properly", so I borrowed a hair dryer and, in the 15 minutes before the house opened, madly heated up the hammers. While certainly not perfect, there was enough improvement to get through the evening. The longer term remedy was to wait until the club was closed the next week, and then to flood the hammers with a 10:1 Lacquer Thinner to Lacquer solution and then let it sit for a couple of days to fully dry out. (I chose not to use Acetone specifically because I wanted the hammers to be as consistently treated as possible. Acetone flashes off too quickly for something like this.) There was some shaping and needle work to be done, but less than I had imagined there would be. Best was that the voicing was then at least nominally stable for the balance of the season. To be sure, one would have had to try something different on an instrument with different style hammers. Best. Horace
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