Follow-up to my previous post, (below). Please bear with me. I had the opportunity to do preps on two new out-of-the-box Yamaha uprights today, so I did a little experimenting with this double-strike phenomena. What I think I may have discovered is that it just may be operator error on us, (or is that we), techs that is causing this. What I found was that when pressing the key down slowly I was sort of unconsciously pausing, just for an extremely minor moment, at the exact instance that the jack just starts to move out from under the butt. At that exact moment, when you are moving slowly, there is a very slight, but noticeable, increase in resistance as the jack starts to rub against the butt in it's move to escape. What I found myself doing was reacting to that subtle increase in resistance and almost unconsciously changing the motion of my finger pushing down on the key. In other words, I believe I was perhaps actually introducing the phenomena into the system myself. What I observed happening was that since the hammer was already in motion, the slight pause that I was introducing allowed the hammer to continue to move, leaving the jack and subsequently striking the string and then bouncing back, at which point I would continue pressing the key allowing the action to complete it cycle and giving me that second strike. When I carefully monitored my finger movement, forcing myself to move smoothly through that subtle point of increased resistance, I could not reproduce the effect. It only happened again when I stopped thinking about it. And even though the speed of the key press is within a very narrow window, it was definitely and easily reproducible, on any key on both pianos. My guess is that this may turn out to be a new piano only effect. Once the piano has been played for a while and "broken in", and the butt leather smoothes out a little this may be impossible to reproduce at all. And as long as I'm guessing here, I don't think anyone but a tech could even MAKE it happen. Certainly not the person at home just playing the piano under "normal" circumstances. I find the combination of piano action physics and our human reactions to what we see and feel as a result of those physics all very interesting. I'll shut up now. -- Geoff Sykes -- Assoc. Los Angeles -----Original Message----- From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On Behalf Of Ric Brekne Sent: Thursday, November 03, 2005 11:19 AM To: pianotech Subject: Yamaha Jumping Jacks Hi At just past half blow on the upright piano the jack should already sufficiently in motion that by the time the hammer evntually would bounce back on a slow (but realistic) keystroke the butt should be able to push it out of the way. If it cant, then there isnt really all that much that can be wrong. Either its not out far enough for this to happen, ie. a regulation issue, or something is preventing it from moving out easily enough... ie. some resistance in the action. I've run into a few Steinway K's and Z's with this problem and I've solved it every time by a good regulation and appropriate spring strenghts. That said... Crescendo punchings wont really help me thinks in as much as one of my earlier attempts was to simply increase key dip 1 mm with no real change in the double strike at soft play. I think (not know) this is because one really isnt playing with all that great a technique in the first place and that the situation is bordeline relative to the technique of the pianist. That said again... there are all kinds of good reasons otherwise for useing Crescendos... so buy em :) Cheers RicB ------------- Not to dis the Crescendo punching's, which I hear nothing but good reports about, but this is not a soft blow problem, it's a slow key movement problem. My experience with this double-strike phenomena is that the hammer jumps off the jack about halfway through the keystroke, (in other words long before the jack actually releases from under the butt), hits the string and bounces back onto the jack, the keystroke continues through the point of actual let-off where the jack actually does it's work of throwing the hammer into the strings, and then the hammer bounces back correctly into the backcheck. The key then completes it's stroke eventually landing onto the front rail punching. My point of all this is that the double-strike is not the result of a soft blow so much as it is the result of an improperly functioning action during a slow key movement. It happens long before the front rail punching's are even part of the picture. -- Geoff Sykes -- Assoc. Los Angeles _______________________________________________ pianotech list info: https://www.moypiano.com/resources/#archives
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