Predictability and Change. Was RE: Franz Mohr

Bec and John bjsilva001@comcast.net
Tue, 5 Jul 2005 22:58:46 -0400


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Hi David,

Definitely. =46rom my perspective I find the problem worsened by many =20=

contemporary pianists. Piano playing is becoming more superficial and =20=

less musical, more about the "effect" of the music rather than the =20
music itself. It takes little effort to be stimulated by extremes, =20
and loud/powerful, dramatic and sappy tend to be the usual forms of =20
expression.

That reminds of the Queen's Golden Jubilee concert in London they =20
were playing some Handel and set off some fireworks at the end - of =20
course the audience was so pleased by the fireworks and only =20
moderately pleased by Handel! :)

-- John=20

> I was thinking mostly about the balance between power, sustain and =20
> tonal range.  The trend seems to be moving in the direction of =20
> power, loudness, attack, whatever you want to call it.  For those =20
> who wish to move the balance back to one of more sustain with a =20
> natural dynamic range somewhat lower on the scale, that trend=97and =20=

> what people have gotten used to=97makes it difficult to put the piano =20=

> back in pianoforte.  Many instruments now are just fortes and if =20
> they don=92t produce that kind of sound, many people are disappointed =20=

> because that=92s what they=92ve grown accustomed to hearing.
>
>
> A broader tonal palette might, ironically, mean a reduction in =20
> loudness.
>
> David Love

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