This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment I believe part of the reason is the angle of the hammer and the damper = system requires more room at the top. In the treble on an upright the = action spacing always gets closer as soon as the hammers lose their tilt = and then again when the dampers end. Aren't the hammers in the tenor angled because the stings are at an = angle, rather than vice-versa? Also consider the same bridge load carried over the shortened span but I = guess that could be changed with string scales and bridge height. Some = makers extend the bridge so it doesn't end so abruptly, maybe ending it = closer to the rim solves the problem. kpiano I think a bridge will be extended, not to get closer to the rim, but = rather so as not to have the last strings right at the end of the bridge = because of tonal problems that can cause. Terry Farrell On most (all?) modern pianos, the mid and upper treble strings are = roughly parallel to one another. However, in the tenor, and more-so in = the lower tenor, the strings are spaced much further apart over the = bridge than they are up near the forward speaking length termination. Why? I ask that especially because I have heard much talk of = design/performance concerns about the low end of the long bridge being = too close to the rim - why not just lessen the string spacing and have = the long bridge end further from the rim? Terry Farrell ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/f6/57/f4/c4/attachment.htm ---------------------- multipart/alternative attachment--
This PTG archive page provided courtesy of Moy Piano Service, LLC