But Is It Proven was How to explain a pitch adjustment..and!

John Ross jrpiano@win.eastlink.ca
Wed, 21 Dec 2005 18:45:39 -0400


6 month tunings may work, in some places, but here in Nova Scotia, that 
would necessitate a 'pitch raise', each time.
I recommend to the majority, of my customers, that they tune once a 
year, when the heat is on. (Gives me the Summer off) Then yes it is 
within a few cents, because the humidity is roughly the same.
Naturally, if it is a serious player, they require more frequent tuning, 
and I recommend a Dampp-Chaser system.
I can't understand, how someone can go back three months later, and the 
piano is within a few cents.
Does this mean that other places, don't have seasonal changes, in 
humidity, like I do????
Most people understand, the problems with a pitch raise, when I explain 
to them, that I am increasing the tension, on the bass, and when I get 
to the treble, it will affect, the bass. I say something like a see-saw.
They have no problem, understanding.
John M. Ross
Windsor, Nova Scotia, Canada
jrpiano@win.eastlink.ca
----- Original Message ----- 
From: "pianolover 88" <pianolover88@hotmail.com>
To: <pianotech@ptg.org>
Sent: Wednesday, December 21, 2005 4:05 PM
Subject: RE: But Is It Proven was How to explain a pitch 
adjustment..and!


> "Jump in" all you like; the water's fine! We ALL have our opinions, 
> just as you do. I'm not saying you're wrong, but I still respect your 
> personal view(s). To me, in a nutshell, it just makes good sense to do 
> a follow-up tuning after a substantial pitch raise within 1-3 months. 
> But in many cases I will just schedule the next and futures tunings at 
> 6 month intervals; the recommended MINIMUM.
>
> Terry Peterson
>
>
>
> ----Original Message Follows----
> From: "Alan Barnard" <tune4u@earthlink.net>
> Reply-To: tune4u@earthlink.net, Pianotech <pianotech@ptg.org>
> To: "Pianotech" <pianotech@ptg.org>
> Subject: But Is It Proven was How to explain a pitch adjustment..and!
> Date: Wed, 21 Dec 2005 13:30:48 -0600
>
> Gotta jump in, again.
>
> Terry said "... the iron plate takes more time to distribute and 
> adjust to the added tension than does the soundboard."
>
> Does it really? Or is that another example of supposition, assumption, 
> passed on lore, etc.
>
> Why would it?
>
> It seems to me that in the time it takes to do a pitch correction and 
> tuning, assuming a constant temperature/humidity, any mechanical 
> system would have plenty of time to react, adjust, and stabilize.
>
> I'm not really picking on this for its own sake, and I certainly am 
> not challenging Terry's long experience and much knowledge, I'm just 
> bringing up a larger point (again) ...
>
> I know that the actual experience of so many, so talented tuners 
> cannot be discounted: There are observable phenomena that need 
> explanation. But I'd like to know that explanations are based on 
> demonstrable scientific principles. In the art of our craft, we have 
> passed on a great deal of lore that is "common wisdom". But is it 
> science?
>
> "Everyone" knows that a piano must not be placed on an outside wall. 
> Once true, not now, thanks to better home insulation. I'll bet all 
> tuners who've been in business more than a year have run into pianos 
> that are horribly out of tune, haven't been tuned in 8 years, and the 
> owner says "How could it be so bad, we haven't moved it?"
>
> Such examples of false beliefs and old wives' tales among the populace 
> of piano owners can be understood and excused. But I like to know that 
> I am on solid ground when I talk to customers, newer tuners, etc.
>
> Alan Barnard
> Salem, Missouri
>
>
> > [Original Message]
> > From: pianolover 88 <pianolover88@hotmail.com>
> > To: <pianotech@ptg.org>
> > Date: 12/21/2005 11:47:44 AM
> > Subject: RE: RE : How to explain a pitch adjustment..and!
> >
> > << the wire bends at the bridge pins and under the capo will be
> > moved toward the tuning pins. These bends will take more time to 
> > stretch
> > and will make the tuning go out within a few days/weeks/months.>>
> >
> > you beat me to the punch on that one! Yes, that is a factor, plus 
> > the
> iron
> > plate takes more time to distribute and adjust to the added tension 
> > than
> > does the soundboard.
> >
> > Terry Peterson
> >
> >
> >
> > ----Original Message Follows----
> > From: Marcel Carey <mcpiano@videotron.ca>
> > Reply-To: Pianotech <pianotech@ptg.org>
> > To: "'Pianotech'" <pianotech@ptg.org>
> > Subject: RE : How to explain a pitch adjustment..and!
> > Date: Wed, 21 Dec 2005 07:03:24 -0500
> >
> > I think there is a factor that was not mentioned. For large pitch
> > raises, the wire bends at the bridge pins and under the capo will be
> > moved toward the tuning pins. These bends will take more time to 
> > stretch
> > and will make the tuning go out within a few days/weeks/months. The
> > soundboard movement will settle faster than these wire bends IMHO.
> >
> > Marcel Carey, RPT
> > Sherbrooke, QC
> >  >
> >  >
> >  > <<Are you suggesting that tuning pin movement is the source
> >  > of pitch instability after pitch correction?>>
> >  >
> >  > Nope. It's the change in TENSION precipitated by the
> >  > excessive pin movements
> >  > (during the PR) that cause instability. When large amounts of
> >  > tension are
> >  > added,(which can and often is THOUSANDS of pounds!) the piano 
> > must
> >  > distribute this tension; it does not do so immediately, as we 
> > know.
> >  > Similarly, after installing a DC I will always let the piano
> >  > aclimate for at
> >  > least two weeks before tuning, as the pitch will almost always 
> > drop,
> >  > sometimes substantially). IF the client is going to play the
> >  > piano only
> >  > occasioanlly, I will then schedule the next tuning in 6 months .
> >  >
> >  > Terry Peterson
> >  >
> >  >
> >  >
> >  > ----Original Message Follows----
> >  > From: Don <pianotuna@yahoo.com>
> >  > Reply-To: Pianotech <pianotech@ptg.org>
> >  > To: Pianotech <pianotech@ptg.org>
> >  > Subject: Re: How to explain a pitch adjustment..and!
> >  > Date: Tue, 20 Dec 2005 21:53:44
> >  >
> >  > Hi Terry,
> >  >
> >  > Are you suggesting that tuning pin movement is the source of
> >  > pitch instability after pitch correction?
> >  >
> >  > At 04:24 PM 12/20/2005 -0800, you wrote:
> >  >  >Depending on the amount of PR, ususally more than 12C, I
> >  > always schedule a  >"follow-up" tuning in 1-3 months,
> >  > explaining that after restoring all that  >loststring
> >  > tension, the piano now must "settle" and adjust to that added
> >  >  >tension, and it some shifting of will occur. So the
> >  > follow-up is crucial
> >  > in
> >  >  >building long term stabilty. And that tuning will leave the
> >  > piano much
> >  > more
> >  >  >stable because tuning pin movement will be much smaller
> >  > than during the  >initial PR and tuning. Again, never a
> >  > problem.  >  >Terry Peterson
> >  >
> >  > Regards,
> >  > Don Rose, B.Mus., A.M.U.S., A.MUS., R.P.T.
> >  > Non calor sed umor est qui nobis incommodat
> >  >
> > mailto:pianotuna@yahoo.com http://us.geocities.com/drpt1948/
> >
> > 3004 Grant Rd. REGINA, SK, S4S 5G7
> > 306-539-0716 or 1-888-29t-uner
> >
> > _______________________________________________
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> >
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