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Hi Joel,
I got lucky just recently, The Maestro formally
acknowledged me from centre stage. Then asked me to address the
audience re: HT tuning for Beethoven's #1 and #2 . #3 and #4 will be
late Late Jan, #5 and Piano and Orchestra, in late Mar will be
recorded by CBC. For the first time, Not faceless stage left.
Regards Roger
At 09:18 AM 12/10/2005, you wrote:
>Phil,
>
>SOP ? I doubt any of us live long enough to see credits for
> the piano technician on recordings, program, or live broadcasts, etc.
>
>
>At my former University It almost took an act of congress to have
>the production staff listed on the programs. But, we now have the
>recording engineer, piano technician, concert manager, etc. on
>the concert programs.
>
> I tuned for a weekly live broadcast where the entire
>radio staff was acknowledged, but not one word about the
>piano technician who rebuilt the piano and tuned every
>week. <grrrrrrrrr> . However, during their annual on air fund
>raiser It was emphasized how much piano tuning cost
>for the production of the concert series.
>
>I add to Braid White that not only are we the 'unseen artist',
>but also the unknown.
>
>There I feel alot better :-)
>
>Joel
>
>
>Joel Jones, RPT
>Madison, WIl
>On Dec 10, 2005, at 8:57 AM, Phil Bondi wrote:
>
>>
>>
>>Norma Neufeld wrote:
>>
>>>.... All I really had to do was read the program, he's given
>>>credit a number of times.
>>
>>I wonder how many of us that do this type of work are given credit
>>in a program..seems like it should be SOP, but I bet it's not.
>>
>>Creditless,
>>
>>-Phil Bondi(Fl)
>>
>>
>>
>>
>>_______________________________________________
>>pianotech list info: https://www.moypiano.com/resources/#archives
>
>_______________________________________________
>pianotech list info: https://www.moypiano.com/resources/#archives
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