At 12:22 PM -0400 4/15/05, A440A@aol.com wrote: >Also, I really object to using 'Pure' to describe >tempered intervals. Minimum beating is "purer" but NOT "Pure". Something is >either contaminated or it is not. I believe Bernard defined it as the width yielding the smallest sum of beat rates of the relationships therein. For instance, in a 5th, that adjustment of the fundamentals for which the sum of the 3:2 beat rate + the 6:4 br (oh, alright...include the 9:3 on through the n:2n/3) is the smallest. Same for the octave. Mathematically this is the best concensus among all the coincidental partials beating in that interval. And I'm sure he is factoring in inharmonicity for each note as well. I'd bet that in the long history of piano tuners describing intervals, such a use of the word "pure" is unique. At 5:45 PM +0100 4/15/05, Bernhard Stopper wrote: >(he must work with the sostenuto pedal to handle his approach) or pitch-shimming. Bill Ballard RPT NH Chapter, P.T.G. "All God's Children got Rhythm" ...........Ivy Anderson in "A Day at the Races" +++++++++++++++++++++
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