I have for a long time trying to find Epoxie clear gloss in a spray can. I used to spray plates with the epoxie gold and then finish with clear gloss epoxie but have not been able to find for many years now. What is your source for clear gloss in a spray can. James Grebe Piano-Forte Tuning & Repair Creator of Handsome Hardwood Caster Cups (314) 608-4137 WWW.JamesGrebe.com 1526 Raspberry Lane Arnold, MO 63010 BECOME WHAT YOU BELIEVE! pianoman@accessus.net ----- Original Message ----- From: "gordon stelter" <lclgcnp@yahoo.com> To: "Pianotech" <pianotech@ptg.org> Sent: Thursday, October 21, 2004 10:10 PM Subject: Finishing soundboard under/backsides > List, > I work on a lot of old uprights with revoltingly > filthy soundboard backs. As these are usually > shellacked, I just fill my spray gun with lacquer > thinner and, outside on big pieces of cardboard from > the furniture store, blast away, usinga bottle brush > to get behind beams, into corners, etc.. > Of course I wear a gas mask gloves and goggles. > As the back is hard to brush finish neatly, I > spray on epoxy varnish from cans. > Amnyone have better ideas? > Thump > > > --- ANRPiano@aol.com wrote: > > > List, > > > > This has been quite an active question. I am gone > > most of the day and come > > back and find dozens of comments. > > > > I will try to fill in the blanks and answer the > > questions posed. > > > > On the question of stability, I will not even try to > > explain that which I do > > not understand. However, when the new Fazioli dealer > > was opened in Chicago I > > had an opportunity to have some conversations with > > Mr. Fazioli. One > > particular area of extensive attempted conversation > > (we were battling accent, > > language and noise) was the finishing of his > > soundboards. I was able to gather in > > a general sense that he uses a finishing material > > which significantly reduces > > the movement of moisture in his soundboards. In > > conversations I have had > > with David Graham, who maintains these gems, he has > > told me of their remarkable > > stability. Certainly we can't prevent moisture > > movement in wood (I doubt > > that would such a good idea anyway), but we can slow > > the rate and thus flatten > > out some of the swings the soundboard experiences. > > > > All of the soundboards I have applied epoxy to have > > had crown, flat boards > > get replaced. > > > > I use System Three Epoxy. The surface condition is > > usually pretty rough > > after drying and I sand it and coat it with lacquer > > and rub it out to a satin > > (usually) finish. > > > > I have thought about coating the underside, but have > > never under taken this > > task. Maybe next time I will see if I can notice > > any appreciable difference > > (besides the extra time). > > > > I have never warmed the epoxy to improve flow, but I > > think I will try that > > the next time. > > > > I have been debating with myself over the wisdom of > > using epoxy as a sealer > > on a new soundboard. Any thoughts on this? > > > > I hope that helps some. > > > > Andrew Remillard > > > > > > > _______________________________ > Do you Yahoo!? > Declare Yourself - Register online to vote today! > http://vote.yahoo.com > _______________________________________________ > pianotech list info: https://www.moypiano.com/resources/#archives
This PTG archive page provided courtesy of Moy Piano Service, LLC