This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Hi all, In the past I successfully voiced a couple of (New York) Steinway Ds for = a small, somewhat dead, concert hall. It was pretty routine during my = career (before my maternity leave) for me to find Steinway hammers that = were *generously* lacquered, with no give in the shoulders. = Fortunately, I managed to soften the shoulders a bit, get some sustain = and produce a nice responsive tone that every one seemed to like--well, = nobody complained and folks liked to record there. =20 Now I am faced with a "whole nuther" situation---a really big, = cavernous, suck up the sound sort of hall. What does it take to reach = the back of a place like this (besides redesigning the hall). I was = thinking perhaps a brighter attack than I usually go for, still keeping = the give on the shoulders--after all, adequate sustain should help = (shouldn't it?). A local tech, whose concept of tone is a bit different = than mine, once told me that you have to have that granite sound to = carry.=20 What's your experience?=20 Thanks. Barbara Richmond, RPT Peoria Chapter ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/5a/81/66/94/attachment.htm ---------------------- multipart/alternative attachment--
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