Great - that was my point. It just seems that because one is not directly able to touch the strings of a piano, and because it's under so much tension, I was under the impression that manipulation would be difficult. I stand corrected. Carl / Winnipeg Joe And Penny Goss wrote: > Hi Keith, > See you Sooner than later <G> > Joe Goss > imatunr@srvinet.com > www.mothergoosetools.com > ----- Original Message ----- > From: "Keith McGavern" <kam544@gbronline.com> > To: "Pianotech" <pianotech@ptg.org> > Cc: "Carl Teplitski" <koko99@shaw.ca> > Sent: Thursday, March 04, 2004 7:53 AM > Subject: Re: [Fwd: stradavarius / piano tone] > > > At 12:37 AM -0600 3/4/04, Carl Teplitski wrote: > > >... A violins tone can be manipulated by an > > >exceptional artist, whereas, not nearly as much manipulation can > > >take place when a piano is > > >played, even by a great player. ... > > > > I beg to differ kindly, my friend. > > > > A great artist can do exceptional things with how the tone of a piano > > is perceived. The better regulated and voiced the instrument, the > > greater the expanse of those exceptional things. > > > > Sincerely, > > > > Keith > > > > -- > > Keith McGavern Texas State Association > > Registered Piano Technician SOONER SPRING SEMINAR > > Oklahoma Chapter 731 March 11-14, 2004 > > Piano Technicians Guild http://www.ptg.org/tsa/ > > USA > > > > _______________________________________________ > > pianotech list info: https://www.moypiano.com/resources/#archives > _______________________________________________ > pianotech list info: https://www.moypiano.com/resources/#archives
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