---------------------- multipart/alternative attachment Ric, Can't say as I learned one precisely. I got some advice from a mentor on this list, used much of it, and it seems to work. But I was curious where "it" originated(not realizing many different theories were being tossed about...:-). I jumped into this discussion a little late, and have since backtracked and read most of the posts. So I'm guilty of not actually having followed the first part of the thread. My method--and I blame nobody else-- 5ths and 12s as close to perfect as possible without making the octaves unlistenable, particularly in the treble from g5 up.. I do it by ear, as in the end, it is judged by ears. Don't know where it originated, but I am curious... I will try a P12 tuning and see how it differs. I think what we're all after is a really an open, expansive sound. I don't know how else to describe it. There seem to be many ways to achieve this. Dave Stahl In a message dated 6/2/04 5:05:20 AM Pacific Daylight Time, Richard.Brekne@grieg.uib.no writes: > Which way did you learn to tune ? Virgils natural beats... or useing > perfect 12ths system ? ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/70/49/63/3d/attachment.htm ---------------------- multipart/alternative attachment--
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