---------------------- multipart/alternative attachment For the most part, tuning for more demanding musicians has been good, as Tom said. Although, I once had a violinist in the local symphony call me back after tuning her nondescript spinet to inform me that my "thirds" were all off. When I checked them out they sounded fine to me and then she pointed out that there were beats in them. She said that when she played double stops on her violin the thirds had no beats. I tried to explain about the adjustment to intervals, expanding and contracting, about equal temperament (I hadn't heard much about HT's, at the time, but I think that would have just complicated things.), and how you can adjust on the fly while playing a violin but a piano was stuck pretty much where it was. She was skeptical about my explanation and I never heard from her again. Oh well.... John Stroup ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/36/84/0c/73/attachment.htm ---------------------- multipart/alternative attachment--
This PTG archive page provided courtesy of Moy Piano Service, LLC