Ronsen Wurzen update (was Re: Hammer Rewhatevering)

David Ilvedson ilvey@sbcglobal.net
Thu, 15 Jul 2004 12:46:33 -0700


I've just hung a set on a little Hamilton Grand.   Haven't put it in the piano yet other than checking strikepoint for treble.   I've got a 1956 Baldwin D coming up and I think the Ronsen's will be the hammers.

David I...

PS   If we keep posting like this, Ray is going to raise the prices....;-]



----- Original message ---------------------------------------->
From: Tom Servinsky <tompiano@bellsouth.net>
To: Pianotech <pianotech@ptg.org>
Received: Thu, 15 Jul 2004 06:40:37 -0400
Subject: Re: Ronsen Wurzen update (was Re: Hammer Rewhatevering)

>Phil and John,
>You've probably by now heard Dale Erwin's and my praises about these
>fantastic hammers. I've installed and voiced 8 sets to date, and just
>installed a set on a Steinway D last evening. The voicing will be completed
>on Friday.
>I have noticed that on each set ( all on different pianos: Mason Hamlin A,
>Steinway A11, Steinway Along scale, AB Chase, Steinway M, Chickering quarter
>grand, and a Steinway L) the hammers bring the internal color of the scale
>so beautifully..and that's right out of the box. You will hear nuances you
>hadn't heard before.
>I am about to do a set for a Yamaha C3, which is entirely different scale
>than the above mentioned pianos.
>The amt. of voicing to get one in the ballpark is very minimal, however in
>the case of larger pianos some juicing is required in both extremes of the
>piano.
>If you really have fun with a piano, install a set of James Arledge's bass
>strings along with a set of Wurzen felt hammers and you'll experience a bass
>like you HAVE NEVER HEARD BEFORE.
>All in all, the hammers are a blessing for our industry.
>Tom Servinsky
>----- Original Message ----- 
>From: "Bec and John" <bjsilva001@comcast.net>
>To: "Phillip Ford" <fordpiano@earthlink.net>; "Pianotech"
><pianotech@ptg.org>
>Sent: Wednesday, July 14, 2004 8:18 PM
>Subject: Re: Ronsen Wurzen update (was Re: Hammer Rewhatevering)


>>
>> Hi Phil,
>>
>> I'm curious about what you said regarding the Renner Blues. For
>> whatever reason, I was under the impression they were more mellow
>> sounding - ideal for older pianos. Eventually I'll need to replace the
>> hammers on my 1925 Steinway L, and I was leaning toward the Renner
>> Blues since I don't like a punchy/bright sound.
>>
>> Thanks.
>>
>> - John
>>
>>
>> > A very nice result.  The piano had a beautiful tone, nice balance, and
>> > good
>> > dynamic range.  The hammers were almost right where I thought they
>> > ought to
>> > be right off the bat, so a minimum of manipulation was required, which
>> > is a
>> > good thing in my opinion.  I definitely recommend that you give these
>> > hammers a try.  I hesitate to make a final judgement from one set of
>> > hammers, but I will certainly try another set.  My standard hammers are
>> > Renner Blue and Steinway.  I put Steinway hammers on Steinways (unless
>> > requested not to) because I like the result.  I will also put them on
>> > other
>> > pianos that I think will benefit from that type of hammer.  I use the
>> > Renner Blues on pianos that I think will benefit from that type of
>> > hammer.  If my next set of Ronsen Wurzens is like this set, then they
>> > will
>> > replace the Renner Blues as my standard 'hard' hammer.  I'm also
>> > planning
>> > to try them on a Steinway to see how they compare to the Steinway
>> > hammer.  Perhaps they'll become my standard hammer period.
>> >
>> > Phil Ford
>>
>> _______________________________________________
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>>

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