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In a message dated 12/28/04 1:14:41 PM, tcole@cruzio.com writes
Hi Tom S
In fairness for quotes Tom Cole did not write the below quote but it was
me.
I like your post though because for this is the very thing that makes a
person more money in the field ,gives a better product to the client & allows
less driving plus decreases the amount of over all tunings per day by
increasing income
My Dad always taught us to do more than just tune. He was/is a student of
Braid Whites & when he or I would be out in the field we routinely reset
hammer blow distance, loss motion & let off. The 3 major action adjustments
that seem to be routinely neglected by so many rushing thru the obligitory 4 o
5 tunings that day . However, as we all know ,make such an improvement to
even novice players. This with a bit of voicing etc and the pianos always sound
& play better.
My quote below comes from the desire to create my own sounds which I have
more control of via rebuilding & the fact that I didn't care much for the way
most pianos sounded to my ear in the field. I also don't tolerate massive
amounts of DBs well or driving
It's just a different life choice , philosophy, physiology & neither has a
,one is a better choice than the other connotation attached to it. Just a
preference for one kind of job over the one I had.
I enjoy tuning on a smaller scale & making people happy with the results
of my labor as you do just in a different way.
Blessings & good New Year to all
Dale Erwin
I wrote
Yes the low end needs service too but attending to it is no longer a choice
I wish to make
Dale Erwin
Ps Its my experience that Most people do not wish to own or pay for a
Steinway. But they like the sound just the same
I look forward to the day that my schedule is busy enough that I can turn
away business of any kind. On the other hand, I'm not sure that I'll ever
discriminate against those who can't afford a Steinway.
I have often been told that I made that spinet sound better than it ever
has. Whereas I'm unable to take compliments too seriously, especially from the
uninformed public, in this case, I believe them, because I take a little
extra time to try to make that piano sound like a piano. I always do one extra
pass, after I'm completely done tuning their false-beat plagued piano, to
listen to each unison and I always find a few that can be cleaned up. I call
it a "spinet pass" and I can't tell you what a difference this makes. I work
a little harder because it's difficult for me to get up and walk away from a
piano until I am satisfied that it sounds as good as it possibly can.
My attitude regarding the low end piano is the antithesis of a comment I
read here on the list a few years ago: "I put a timer on the piano and when 45
minutes passes, the piano is tuned."
Yes, it's harder to tune that beast, but I think no one would argue the fact
that we tuners offer service to people. Some people own Steinways. Some
people own other pianos.
Tom Sivak
Chicago PTG Associate
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