Thanks Don, Another benefit of ET, I suspect, is that it allows for some wondrous, complex chords such as those we jazzers ( and Debussiers ) enjoy, which would probably sound wretched in a "Historical" temperament. Anyone care to differ ??? Thump --- "Don A. Gilmore" <eromlignod@kc.rr.com> wrote: > I may be an engineer, but I'm also an advanced, > conservatory-trained pianist > of some 32 years experience (I started at the > conservatory when I was eight > in 1972) and I come from a line of five generations > of professional > musicians (my grandfather was a famous jazz > bandleader, singer and > saxophonist in Kansas City). That's more than can > be said for most tuners. > > What was heard in Mozart's day was inferior, just as > automobiles of 1915 > were inferior to the ones today. Mozart didn't play > in a primitive > temperament because he wanted to; he did because > there wasn't a better way > yet. There is a concrete, musical reason why > virtually all instruments are > tuned to ET and it has nothing to do with the > "tidiness" of mathematics (and > ET isn't constucted with a rational number, by the > way). ET is the *only* > temperament where everyone plays the same intervals > within a key and in all > the keys all the time. There is no other. In *all* > other systems *no* two > keys sound alike. In *all* other systems you cannot > have equal consonance > for all intervals, even in the same key. If you > flatten the E in the major > third between C and E to be more consonant, the > resulting third from E to G# > will not be the same...in fact it will be *worse* > than ET. And all other > intervals that include that E will be changed by > varying degrees. I have > played in other temperaments and it is a pain in the > ass, especially when > accompanying other instruments. > > ET wasn't foisted upon the musical community by > dastardly engineers, > politicians, or by divine decree; it was invented > *by* musicians and has > been universally adopted because WE LIKE IT and > because it solves the many > problems and limitations you experience if you don't > use it. I AM a > musician. ET vastly simplifies music for us and > lets us all play and > modulate with complete freedom. Any other > temperament is a gimmick, like > titanium golf clubs or a six-string bass guitar. A > $500 cue isn't going to > make you shoot pool any better and a fancy tuning > isn't going to make you > sound any better. > > Don > > ----- Original Message ----- > From: "David M. Porritt" <dm.porritt@verizon.net> > To: <pianotech@ptg.org> > Sent: Saturday, April 03, 2004 1:17 PM > Subject: Re: Non-ETs; more organic than ET? > > Engineers (who are not always the most artistic > lot) tend to think that if > a temperament can be constructed with a rational > number it must be right. > However, if one wants to hear what Mozart was > hearing you can't use ET. Of > course hearing what Mozart heard might not be > important to you, but if it > is................ > > > > dave > > _______________________________________________ > pianotech list info: https://www.moypiano.com/resources/#archives __________________________________ Do you Yahoo!? Yahoo! Small Business $15K Web Design Giveaway http://promotions.yahoo.com/design_giveaway/
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