on 9/28/03 2:25 PM, Cy Shuster at 741662027@charter.net wrote: >> If you ever wanta know, I have 4 little tricks I do with a Yamaha grand >> action that put it into a different realm, IMHO. >We want to know! Tell, please! Ok, then. Extremely simple, yet challenging to master. 1) The trick Antares shared with us 6-8 months ago: reset the glides. Set them as you would on any other piano, then turn them further down, at least a half-turn, until the front edge of the keyframe is almost slapping. Don't ask me why, and don't ask me how, but the whole treble end of the piano wakes up & sings. 2) Weaken the damn repetition springs! They kick like a horse on new Yamahas. And I've found that most guys I follow up on a) don't weaken them enough----verrryyyy slow in the bass; gradually---GRADUALLY---increasing in strength 'til they're a little speedy, but with no discernible kick, in the high treble---and b) don't take enough time---usually twice thru, 30-40 minutes---to get the rise really gradual and precise. 3) Jack position---be aggressive: set it WELL toward the player, ahead of the back line of the knuckle core. Make SURE there's no jack cheating before you move on. In fact, I sometimes get even more aggressive, and GET the jacks to cheat, then back 'em off just a little so they're just back of the "cheatin' point." 4) Jack height----get real, real subtle. When you "wink" the jack, you want a SLIGHT movement in the hammer, and an even slighter feeling of the jack tip rubbing the underside of the knuckle. Again, be precise; be consistent; you'll feel the reward in the Spielart of the piano. 5) ***bonus tip: give the dang piano a precise, musical, intuitive tuning with rock-solid, totally smooth unisons. This seems, in my case, to force players to fall in love with the Yamahas I prepare---and falling in love forces them to write a check for the piano--- which insures my relationship with the store that sells them, and burnishes my legend as a wizard----if they only knew <g>..... Hope this helps......DA
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