compression ridges in New Baldwin grand

Robin Hufford hufford1@airmail.net
Sat, 27 Sep 2003 01:07:27 -0700


> snip>
>
> This is a much more convincing angle, and again... as I've said many a time.... you
> and Del do tell a convincing tale. But the fact that this stands in such stark
> contrast to what the market chooses wont go away either. So that leaves us with one
> of two basic directions to take... either the <<problem>> is overstated, or the
> market is nuts. Ok thats an oversimplification.. but illustrative even so.
>

In my opinion, it is completely overstated.

>
> However, my own experiences dont bear out yours I'm afraid. I find too many older
> Steinways that simply have far to many good qualities to fit into the compression
> damage theory. In fact... if there is any correlation between piano types, and how
> well they do over time... it would seem to me to have more to do with how much care
> was taken in their construction more then how they were designed.
>

I don't know how a person can come to any other conclusion short disregarding facts all
around them.

Regards, Robin Hufford

>
> --
> Richard Brekne
> RPT, N.P.T.F.
> UiB, Bergen, Norway
> mailto:rbrekne@broadpark.no
> http://home.broadpark.no/~rbrekne/ricmain.html
> http://www.hf.uib.no/grieg/personer/cv_RB.html
>
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