----- Original Message ----- From: "Richard Brekne" <Richard.Brekne@grieg.uib.no> To: "Pianotech" <pianotech@ptg.org> Sent: September 25, 2003 9:45 AM Subject: Re: compression ridges in New Baldwin grand > > Now I will be the first to say, and have many times now.. that Del and others > make a real convincing argument about the whole issue.... except for the fact > that there are so very very very many people who seem to dissagree... and so > very very very many pianos out there that simply do not fit the mold. They have > not self imploded, turned sour, lost power and sustain to the point of being > hoplessly muslexic. I have a beat to crap old turn of the century Steinway thats > been shimmed once.... and otherwise left to decompose... and it still has 8 > seconds of sustain at A6. Lots of power... and no where is that thinned out dead > soundboard sound apparent. Lots of false beats mind you... but thats another > story. If the compressionist theory was so signficant, and so correct... this > kind of exception simply could not happen. Something doesnt wash here. > > RicB > And I would argue that, relative to the numbers built there aren't all that many working as well as you suggest. This is called establishing the rule by looking at the exceptions. Del
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