----- Original Message ----- From: "Phillip Ford" <fordpiano@earthlink.net> To: "Pianotech" <pianotech@ptg.org> Sent: September 23, 2003 7:46 AM Subject: Re: String vibrations (was Re: Stuart) > I seem to remember that you made a point of saying that Baldwin's > device was not an 'agraffe'. What the definition of agraffe is, is > an interesting question. I believe that Erard was the original > inventor. In french, agraffe is the word for staple. The original > agraffes were in fact giant staples - a U shaped piece of heavy wire > driven into the pinblock to keep the string from being driven off the > front termination by the hammer blow. It evolved into what we know > now. Actually, what we have now is sort of pushing the envelope on > the original definition of the term. I wonder how far we should push > the envelope before using a new word? I wouldn't really call > Stuart's device an agraffe. Nor would I. We called them "termination pieces." Among other things. > > > > >No patent application was ever submitted. We looked into the possibility > >but more experienced heads than mine felt there was sufficient prior art to > >preclude a patent being granted and the company was loath to spend the > >money to pursue the issue. I expect Stuart found the same situation. At > >least I've seen no evidence that he has attempted to patent the device. > > > >Del > > I have not seen any American patents for Wayne Stuart or Pianos > Australia. I'm not familiar with Australian patents. Based on older > patents for string terminations that I have seen, I doubt he could > get a patent on this device. That was our conclusion as well. Del
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