Are there any guiding principles for damper types in the low tenor range? I don't have originals to work from on this 7' Bechstein and wonder where the split type should change to straight. Or is it just experimentation/proof of the pudding etc? Also does the practice of applying damper felts in two pieces rather than one continuous piece have a benefit in terms of damping efficiency or is it purely to save felt? I would appreciate your comments/advice. James Perkins 42 Marlee Road Parklands WA 6210 Australia 08 9581 6354 Mobile 0401674447
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