This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Comments below: Terry Farrell =20 ----- Original Message -----=20 From: "Cy Shuster" <charter1400@charter.net> > I'm trying to understand this discussion, and it sounds like there's = simply > honest disagreement over the merits of this one design -- is that a = fair > statement? =20 I'm not even sure there is any disagreement over a design - just some = differences of opinion. The only difference seems to be in the = interpretation of what some folks read. > There are many designs which have broad agreement as having > lesser merit: drop actions vs. direct blow, etc. In this case, some > comments seem to say that some M's are fine pianos, in spite of = acknowledged > design deficiencies, so that it would be an error to generalize. Are = there > subvariations of the M's design, perhaps from different years of = production? > --Cy Shuster-- > Rochester, MN I don't know Ms that well, so I don't know if there might be a few = design changes among them. However, even if there are, I don't think = that is the issue here. IMHO, ditto what David Love posted: David Love wrote: I think those who argue for improved designs are probably making those arguments based (at least in significant part) on empiricism, not with = disregard to it. Implied in these and other comments is that an attempt to produce a better design somehow means that the desire is to remove the variable of the art or craft of getting the most out of that design. I haven't read that in any of the designers' comments. Rather, I see the ideas as attempts to remove some = of the obstacles to achieving artistic goals on a more consistent basis. =20 ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/e9/31/d6/c7/attachment.htm ---------------------- multipart/alternative attachment--
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