Fw: Baldwin pre-cut string

Crashvalve@aol.com Crashvalve@aol.com
Fri, 24 Oct 2003 17:39:46 EDT


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In a message dated 10/24/03 9:05:49 AM, pianobuilders@olynet.com writes:


>=20
> There is quite a difference between a kink in the wire -- i.e., abruptly=20
> bending the wire enough to take the steel beyond its proportional limit an=
d=20
> putting a permanent bend=A0in the wire=A0-- and the gentle curve observed=20=
in the wire=20
> as it approaches its termination. The extent of this curve is a function o=
f=20
> the string's stiffness (its diameter) and the string deflection angle as i=
t=20
> passes either through the agraffe or across the V-bar. This bend appears=20
> because music wire is not perfectly flexible, not because the stringer is=20=
putting=20
> a kink in the wire.=A0A similar, though milder bend can seen as the wire=20
> approaches the bridge pin offset. Both of these tend to dissipate over tim=
e. Or=20
> they can be straightened out by one of several string leveling techniques.=
=20
> (Check the archives for string leveling.) Indeed, in most shops, this stri=
ng=20
> leveling is done as a normal part of the stringing operation. Not so much=20=
because=20
> "a straighter wire gives truer harmonics," but because we want the hammer=20=
to=20
> strike all of the strings of the unison simultaneously.
>=20
>  =A0
>=20
>  Del
>=20
>=20

Exactly, agree on all points, and I especially like the observation that wir=
e=20
is not perfectly elastic, and of course simultaneous unison strike is=20
paramount considering the jarring clang if not, so-......   the gentle curve=
 to=20
termination takes away no sound quality from the string ? This is my primary=
=20
question. Some techs attribute a better sound as the piano ages away this cu=
rve, I'm=20
not sure. What about that ?
regards
Glenn C.

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