This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Corte, let me ask you this; do you ever find yourself doing the second = pass, and you do a test blow that ends up being five or six cents flat? = The time for test blows is indeed after the pitch raise (and during it, = but definately after it also) . The speaking length may indeed be at = pitch, but if you don't have all segments of the string up to tension, = it's going to go south.=20 After doing a pitch raise, I don't really feel like yanking the strings = up all over again.=20 Just something for you to think about while you're out there tuning, = that's all. Kevin. ----- Original Message -----=20 From: cswearingen@daigger.com=20 To: Pianotech=20 Sent: Friday, October 10, 2003 12:47 PM Subject: Re: Pitch Raise, was: Standard Pitch Like Terry, I'm a bit confused on this as well. To me, the purpose of = a pitch raise is not to necessarily leave a note sharp, it's to leave a = note a close to the target pitch as you can. Some notes will be slightly = sharp of target and some will be slightly flat of target. If I do a pitch = raise, there is no need to do a subsequent rough tuning - just a fine tuning. Corte Swearingen Chicago ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/3a/8a/e5/a2/attachment.htm ---------------------- multipart/alternative attachment--
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