Here is my guess. The Yow-yow-yowing is a false beat at a high partial. As the partial goes through its false beat, the apparent balance between the partials seems to change, thus giving the impression of changing voicing, or yow-yow-yow. So what can cause a false beat at a high partial? I suspect that it is a difference between vertical inharmonicity and horizontal inharmonicity. Remember that inharmonicity is caused by the stiffness of the string - its resistance to bending. But suppose that a string has more resistance to bending in, say, the vertical direction than it does in the horizontal direction? Now recall that when a string is struck, it begins precessing into an oval-shaped pattern, moving in both the up/down direction and in the side-to-side direction. If the string has a different amount of stiffness depending on the direction of bending, then the effect of inharmonicity will produce a different resonant frequency in each of these directions. That causes the string to vibrate at a slightly different rate up and down than it does side to side. These two rates of vibration occur simultaneously and beat against each other, giving the Yow-yow-yowing. Let's speculate even further about what might cause a difference in stiffness in the horizontal and the vertical bending direction - especially in bass strings. Some bass strings are wound on hexagonal cores. If the machine that makes the hexagonal core is imperfect, then the hexagon might come out flattened a little in one direction. That would certainly make it easier to bend in the flat direction and harder to bend in the perpendicular direction, which would lead to yow-yow-yowing. And even if the core is just a round string, it may be that somewhere in the winding machine, the core string goes over a hard surface that crushes the cross-section a little, making it oval instead of round. That, too, would lead to a difference in stiffness that depends on the direction of bending. Finally there is the copper winding itself. It contributes only a little to the overall stiffness of the bass string, but it does contribute some. Suppose the winding machine were mis-adjusted so that the copper wrappings were pressed tightly against each other on two opposing sides of the cross-section, but were a little less tight in the directions that are perpendicular to the tight directions. This could give the completed string a difference in stiffness in one direction vs another. So my guess is that it is the fault of the machine that makes the bass strings. -Bob Scott Ypsilanti, Michigan
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