close enough>??

Farrell mfarrel2@tampabay.rr.com
Fri, 24 Jan 2003 10:38:17 -0500


"Where and (more importantly) _how_ do you draw the line?"

Evaluate each situation. In the one you describe, I would not go through note by note with the customer. I would simply say the piano needs one pitch raise to get it up to standard pitch, and then a good tuning. That will be a total of $115.

I don't charge for PR for less than 5 cents, even though I may go through the piano twice. Between 5 and 10 cents off is where I start charging. If the whole keyboard is between the 5 and 10 cents, I would likely charge my half-PR fee. I try to be as consistent as I reasonably can, but there is definately a large grey area there.

I have often considered quoting $1 per cent flat for everything over 2 to 5 cents flat (an average of all the Cs perhaps). And then when done, if the fee adds up to more than $60/hour, I might cut it back to $60/hour. But then nobody knows what a cent is and that makes the whole thing difficult to detail.

It is easier to simply say the the piano is a quarter-step flat and needs a pitch raise.

Terry Farrell

  
----- Original Message ----- 
From: "Conrad Hoffsommer" <hoffsoco@luther.edu>
To: <pianotech@ptg.org>
Sent: Friday, January 24, 2003 10:02 AM
Subject: Re: close enough>??


Friends,

I've been lurking on this discussion, and been having my curiosity piqued. 
A collateral question formed in my alleged brain.


I know about pitch raises, I just finished one. (Details below)
I know from previous threads that some tuners charge a per cent surcharge 
for pitch raises - some beginning at 2¢.


The piano which I just tuned (1971 Yamaha P2E) had (according to RCT) a 
pitch of 440.4Hz @ A4. This is just less than 2¢. So, according to the 
above criterium, it should be a standard tuning.  Right?

HA! Wrong...  Maybe if it were the Hamburg D which I tune every week.

IT NEEDED A PITCH RAISE.

The bass section was 8-23¢ flat, the first two plain unisons were -23¢ and 
-40¢ with the pitch getting to within 4¢ by about F4 and staying there 
until above the treble break where it went to a fairly constant -15/20¢.

How you gonna charge for this? Average the cents deviation? Pick a note at 
random? Use a dartboard?

Do you have to wait until you are done and _then_ show the customer the 
record of overpulls?

Big pitch raises on those once-a-decade tunings are no-brainers.


Where and (more importantly) _how_ do you draw the line?

Conrad


Conrad Hoffsommer - Music Technician
Luther College, 700 College Dr., Decorah, Iowa 52101-1045
Vox-(563)-387-1204 // Fax (563)-387-1076(Dept.office)

- People never grow up, they just learn how to act in public. -Bryan White


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