This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Here's a general interest question. If you use an F-F temperament (probably most of us) as opposed to, say, = the A-A small European, you run into many pianos with wound strings in = your temperament. I just tune them as if they were not, going for the same mid-piano 5ths = and even-progressing 3rds, etc., as usual. But then I tune this Winter & Co. spinet excuse-the-expression piano = where five of the temperament notes are wound bichords and three of them = are on the bass bridge. I think I make a good temperament on this piano but just got to = wondering how you much-experienced folks, both aural and ETD, handle = this situation. Comments please. Alan Barnard Salem, MO P.S. Would it make sense to learn and practice an A-A temperament just = for such pianos? (Although in this case even A4 is a wound string!) ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/0d/98/38/30/attachment.htm ---------------------- multipart/alternative attachment--
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