---------------------- multipart/alternative attachment In a message dated 9/29/2002 9:06:55 AM Pacific Daylight Time, A440A@aol.com writes: > Subj:Re: Hang'n dem Hammers > Date:9/29/2002 9:06:55 AM Pacific Daylight Time > From:<A HREF="mailto:A440A@aol.com">A440A@aol.com</A> > Reply-to:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A> > To:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A> > Sent from the Internet > > Ed I agree and am on the same page. On the one hand I'm a whatever works for you kind of approach but doing it the other way, for me,presents more opportunity for error & frustration due to some of the things you mentioned Ed and the ineffiency of not being able to seperate job functions.Ie traveling all shanks at once using a square, determing strike and bore angles and hanging in one operation. I really am trying to make money doing it. The curved hammer line is so common on stwys in my shop I can all most call it before hanging. Dry fit and listen to the tone especially from G5 thru E-6 with C-6 usually being the not pulled the furthest forward ,often 3 mm. Una corda sound is improved as isoverall power and sustain. As an aside I know of no other factor that creatres more difficulty in the hanging process than that of too tight a bore fit to the shank, well other than hammers bore incorrectly. My two cents>>>>Dale Erwin > > RICHARD WRITES: > >But I do get a real quick dead on line. Guess I am > >looking for a good reason to learn a new approach :) > > > > Using the old hammers as guides in an "every other one" fashion brings all > variables of previous filing or regluing into your equation. The hammers > may > not be in an exactly even line. This may cause problems if you try to > shape > the tails en masse, since some may be at greater or lesser amounts of > inclination. > I set hammer bore and hanging angles on the end hammers of the sections. > > Then, after I travel all shanks, hang the hammers with a pair of straight > edges held in a jig, one, a 90 degree bracket locating the bottom and front > > of the tails and another that the distal shoulder rests against. Things go > > pretty fast, once the end hammers are correct. > In the C5-C7 area, it is not uncommon for the hammer-line to be curved > > between the end hammers on a per section basis. This comes from hanging > trial > hammers in the middle of the section and moving the action in and out to > find > the best contact point on the string. I don't think the original > manufacturers always took the time to do this, relying instead on straight > hammer lines being close enough. > Regards, > Ed Foote RPT > _______________________________________________ ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/97/82/a4/d8/attachment.htm ---------------------- multipart/alternative attachment--
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