I imagine it must have some mysterious, Steinwayesque function. It's probably part of the magic circle of sound. Oops, lost my head there for a second... It is curious that they chose to use it since a beam would probably be cheaper. Perhaps marketing explains it, but I doubt CFT Steinway was that taken in by his own PR. I had an AB Chase concert grand that had a bell of a different design. Similar to the Steinway bell but it spanned over to the belly rail, like a beam. It was made of cast iron, was quite massive, and a nosebolt went down to it. I was mystified as to why they chose to use this since it seemed to be serving the function of a beam, but would be more expensive (I would think). Does the cast iron have some magical property that wood doesn't have for this application? Could it perhaps be the mass? Phil F > > >One of the functions of the > nosebolt--probably their most important > > >function--is to couple the plate to some > belly structure and prevent it > > >(the plate) from vibrating. The bell/bolt > arrangement is simply another > > >form of nosebolt. > > > > > >Del > > > > > > And in an area where the piano would have > likely benefited from a beam to > > the belly rail anyway. > > > > Ron N > > > And in an area where the piano would have > certainly been better off with a > beam to the belly rail anyway. I can't see how > the bell/bolt arrangement is > any better than a beam and it does nothing to > stabilize the bellyrail. > > Del > > _______________________________________________ > pianotech list info: > https://www.moypiano.com/resources/#archives >
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