Thanks, the description will be much informative to me. I was told to think 'hammer shaping' when doing the job (see the marks) Regards. Isaac OLEG > -----Message d'origine----- > De : owner-pianotech@ptg.org > [mailto:owner-pianotech@ptg.org]De la part > de David Andersen > Envoye : lundi 9 septembre 2002 03:11 > A : pianotech@ptg.org > Objet : Re: Capo shape question > > > > Hi Dave -- for those of us who haven't read the book > what is the > >prescribed procedure and how would you describe the tonal > improvement? > > Thanks>>>>Dale Erwin > > Hey Dale----before I answer, I want to thank you sincerely > for your "work > the knots out of the shoulders" tip when voicing----it has > made a huge > improvement in my ability to control tone. You da man. > This list is > priceless. > > If the plate is out of the piano, it's easy. You'll see where the > strings have sort of machined into the soft iron, and that the > termination point is in a "U" shape rather than a "V" > shape. Use a file > suitable for soft iron, and carefully work small amounts of > material off > the capo bar until there's maybe a 1 mm termination, and > the edge looks > like a "V." Pretty simple, and the procedure produces a > much stronger > fundamental tone with either the illusion of more sustain, or more > sustain. Handy in this, the weakest speaking area of a Steinway(low > treble). > > You can also do it with the plate in by destringing the > capo(we usually > do it in four sections, starting from the treble break) and > doing the > same thing as above using mirrors and squeezing your head > as far into the > action cavity as it will go---this is trickier, and takes more > skill----DON'T FORGET TO BE CONSERVATIVE. Sneak up on it. > Don't take > off too much material. > > And that's it. If you need me to, when Steve Bellieu, my > partner and > shop wizard, gets back in town > (9/10) I'll have him describe the procedure in greater > detail. He's the > king of the "V." > > Best, David A. >
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