how many pianos...?

David Andersen bigda@gte.net
Sat, 31 Aug 2002 20:29:25 -0700


>I did not write this treatise on Steinway to exonerate
>them in any way. I merely tried to explain their logic
>from a business perspective ( remember, on several
>ocassions they have all but gone under )  and state
>that I think the pianos are still structurally sound,
>if not "completed" by showroom delivery time.  Most
>purchasers DO have tin ears, are buying for status,
>and Steinway may feel this makes it unwise to fine
>regulate except for actual pianists, who have varying
>taste in touch and tone and may want everything redone
>even IF Steinway went to the initial trouble of it!!!
>Please correct me if I'm wrong.   --- gordon stelter
><lclgcnp@yahoo.com> wrote:

I understand, Gordon.  My point was, and is, that our role as lovers of 
music and pianos is to demand excellence from ourselves and the pianos we 
deal with, AND to educate people's ears.  To assume that Joe Piano buyer 
has tin ears and is simply buying the piano for status value IS cynical, 
IMO.
All the other "fine" manufacturers prepare their pianos way better than 
American Steinway, including the Hamburg factory.  American Steinway 
should do no less.

The question of the Amercian action feeling "not right" and needing 
geometric and weight distribution tweaks is another matter.  Virtually 
every new Steinway I have put my hands on in the last decade has needed 
some major tweaking, and has been compromised in the "final prep" to 
accomodate errors in geometry or weight distribution, I.e. shortened blow 
distance, wrong key height, too little or too much aftertouch, too many 
leads, etc. etc.  Disgraceful.  Other manufacturers don't do this on a 
consistent basis.  Why do we put up with this from American Steinway?  
The basic instruments are good if not great, but they pretty much all 
need a Stanwood-type tweak.

This has been the dirty little secret about American Steinways for 
decades.  A big part of Keith Hardesty's business when he was alive was 
tweaking the actions of new Steinways for serious players and performance 
venues....

The dialogue continues.......

David Andersen


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