Hi folks Got permision to send you all a little question I posed Dr. Alex Galembo followed by his answer, which I thought was really quite interesting. I welcome your thoughts RicB > One question in particular I would like your thoughts on. It is said by some > that pianists can feel at the keys with the fingers, the impact of the > hammer on the strings. Do you have any studies that go directly to this > point ? And in anycase, what do you think of that assertion ? I think all the papers listed in my previous message in some way contribute to answering this question somehow. What I think, that it is necessary first to define what we mean under "to feel an impact" - what parameters of the impact we mean? After the impact the hammer returns to the action and the pianist, over a haptic perception, is able to compare (very indirectly) the velocities of the hammer before and after the impact, thus somehow evaluating a general kinetic energy change in the hammer, that, in turn, informs about the effectiveness of the blow. But this effectiveness depends on many factors, related and unrelated to the hammer itself. It looks similar to how a basketball player, by dropping and catching feels how the ball impacts the floor. And now imagine, that the basketball player is blind, he plays not by a hand, but by a bendable rod, the hammer is asymmetric (say, elliptic), and the player is asked about the ball properties after one blow. On another hand, an information about the quality of the hammer-string impact comes over the tone perception, and being strongly connected mentally with the haptic information, it gives much to an experirnced pianist. -- Richard Brekne RPT, N.P.T.F. UiB, Bergen, Norway mailto:rbrekne@broadpark.no http://home.broadpark.no/~rbrekne/ricmain.html
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