This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Dale Erwin wrote: ...A Case in point, if you take stwy player grands with that extra long = key (3 inches)? with low amounts of lead it would be possible to carry = any amount of hammer weight you wished. It's a better lever or has the = potential to be with appropriate stack geometry. Hey the real problem is that keys in general are just to danged short. = But really on smaller pianos they are and that's why more action = balancing gymnastics are required... I think that the role of short keys is somewhat misunderstood here. The = length of the key will make no difference in the leverage from the point = that the measurements are taken (presumably out near the end of the = key). The key ratio is all that matters in this case. A key with a = .50 key ratio that is 36 inches long will produce the same action ratio = as a key with a .50 ratio that is 12 inches long all other things being = equal. The difference lies in what happens as you play the key in from = the measurement point. A longer key will show less difference in force = required to move (or balance) it per increment of distance traveled = toward the balance rail than a shorter key. Since pianos tend to be = played "into" the keys more than on the tips, a short key will feel = heavier in the course of normal playing than will a longer key even if = the ratios, strike weights, front weights, etc., are all equal. But as = far as approaches in setting up the action, there would be no real = difference. That is, unless you felt that because of this particular = difference it would be better to set up a shorter key with lower balance = weight, front weights or strike weights, which, in fact, might not be a = bad idea. =20 Yet another way to think of all this might be to figure out where on = average the key is actually depressed from and take measurements and = make calculations from there. This would factor the length of the key = into the equation. On actions with very long keys, such as concert = grands, little change from current designs would be necessary, but on = shorter keysticks, lighter weights would tend to prevail. This also = might help to explain how actions set up with the same ratios, strike = weights and front weights feel different. Differences in key length = create larger variances in balance weight as you move in toward the = balance rail. =20 David Love =20 ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/0d/7c/d3/e6/attachment.htm ---------------------- multipart/alternative attachment--
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